Grant Manship

Everything That Happens Will Happen Today Is Available Now

As you've probably heard, David Byrne and Brian Eno recently completed work on their new collaboration Everything That Happens Will Happen Today.  In preparing for the release David has stated he's curious to see if people will hear about the record without the traditional marketing methods that usually go into a record release.  Specifically, David had the following to say about these plans in a recent post on his blog:

I’m also wondering whether the web-curious will allow news of the album to spread more or less by itself. In the past, I might have undertaken all kinds of expensive marketing plans to prepare for a record release: there would be a teaser, live shows, posters, magazine ads, interviews, and advance CDs sent to writers and reviewers. We’ve done a few interviews, but that’s about it. It will be interesting to see if audiences find out about this song — and the record — without all those marketing techniques, and solely through Internet word-of-mouth.

I think it's safe to say that word of anything David Byrne or Brian Eno do, and certainly projects they undertake together, will spread like wildfire in today's state of the Internet.  News of the first single, "Strange Overtones," seemed to be all over the blogosphere on the day of its release.  Now comes the next phase in Byrne's experiment.  They've released the record today via the web à la the well-known-by-now Radiohead method, minus the pay what you want aspect.  You have the option to buy a DRM-free download of the album, a download plus a physical CD or a limited edition custom package designed by Stefan Sagmeister.  There is also an option to get FLAC files with any of the above purchases. 

You can preview the entire album below and use the "Get the Album" link in the player window to go to the site and make your purchase.  During my initial listen to the album it sounds absolutely wonderful.  I'm certainly looking forward to seeing Mr. Byrne on his upcoming tour.

Richard Swift Releases Free Digital EP

Richard Swift just released his new EP Ground Trouble Jaw and being the swell guy that he is, he's giving it away for free through eMusic.

The EP is classic Swift through and through.  As the press release for the EP states, "the five tracks run the gamut from 60s girl group pop to Motown soul to Onasis-flavored 50s street gang doo-wop to synth-fueled pop classics (think Prince sitting in on the "Plastic Ono" sessions) - all with Swift's emerging trademark vocals which bring his songs to life like few other singers do today."  If you've been living under a rock and are somehow unfamiliar with Mr. Swift, download this.  Seriously.  The guy is brilliant and there isn't any reason why he shouldn't take over the world soon.  It's better that you're up to speed on things when that finally happens so like I said, pick this up.

I'd have to say my favorite tracks are "Would You" and "Lady Luck".  I've listened to both tracks at least 10 times since downloading the EP this morning.  Make sure you check them out below before you inevitably proceed to download the whole EP.  Speaking of downloading it, if you have trouble with the eMusic link you can download a zip file with all the tracks ready to go here, courtesy of yours truly.  Enjoy!

• Richard Swift - "Would You" from Ground Trouble Jaw
• Richard Swift - "Lady Luck" from Ground Trouble Jaw

The Walkmen Release You & Me Early for Charity

The Walkmen have decided to release their highly anticipated new album You & Me exclusively through Amie Street as part of the website’s new Download To Make A Difference campaign.  Amie Street is definitely one of the more innovative music sites to emerge in the last couple of years and their Download To Make A Difference campaign is no different. 

The way it works is You & Me will be sold for a period of three weeks, prior to its official release, at the special price of $5. For each album purchased Amie Street will donate $5 to a cause of personal significance to The Walkmen.  Specifically, "All donations go to Memorial Sloan-Kettering Cancer Center in honor of Luca Vasallo, a friend to the band and a current patient who is seven months old and doing a great job fighting a very difficult disease,” said Peter Bauer of The Walkmen. “This is a very good organization that certainly deserves the attention.”

The You & Me exclusive pre-release marks the second major release for the Download To Make A Difference campaign, which gives people the chance to support important causes by downloading new music.  To download You & Me and give $5 to a great cause go to AmieStreet.com/thewalkmen now!  The album is really wonderful and is worth every penny especially when you consider it will go to such a great cause.

• The Walkmen - "In The New Year" from You & Me

Favorite New Release of the Week - July 22nd, 2008

Dr. Dog - Fate

I'm getting ready to take the bar exam next week so I don't have a ton of time to devote to writing reviews at the moment.  I've decided I should probably spend my time studying for this thing.  That being said, it's safe to say it would be negligence on my part if I didn't tell you to pick up Dr. Dog's new album Fate as soon as possible.  See, to be guilty of negligence I have to owe you a duty, breach the duty, causation must exist and finally you would have to be damaged in some way.  In this case, I feel I have a duty to my faithful readers when a great new record comes out so we have our first element.  Then, if I didn't tell you about this one I would obviously be breaching that duty.  As far as causation goes, well... you need cause-in-fact as well as proximate causation.  In the case of cause-in-fact we'd analyze this with the "but for" test.  As in, you would not have been "injured" but for my failure to tell you about this great record.  Proximate cause is a limitation on my liability to you and deals with the harms that fall within the risks of my behavior.  Since you guys read my blog, not telling you about such a great record and the subsequent injury would clearly fall within this realm of foreseeability.  Finally, the all important damage.  If you don't check out this record you will be really missing out.  So with that being said you should pick up Fate if you haven't already because there's some really beautiful stuff on this record.  OK, it's back to the books to check and make sure I didn't explain negligence incorrectly!

• Dr. Dog - "The Ark" from Fate
• Dr. Dog - "The Old Days" from Fate

Favorite New Release of the Week - July 8th, 2008

Albert Hammond, Jr. - ¿Cómo Te Llama?

Whether it's his sense of style, the way he wears his guitar or the bands he lists as influences, it's clear that Albert could moonlight as a historian of pop culture.  As you may have read elsewhere, this album is built on Albert's affinity for bands like The Kinks, Neil Young and The Clash.  Upon completion, ¿Cómo Te Llama? goes a long way towards honoring and, at the same time, putting Albert's own touch on the sounds remiscient of those bands.

What's most striking to me about this record is how it differs from Yours To Keep.  Where Yours To Keep seemed to keep a common feeling of breezy SoCal sounds from one song to the next, ¿Cómo Te Llama? showcases Albert and his bands ability to do whatever they want.  And do it well.  Whether it's the 50s-era rock of the perfectly crafted "You Won't Be Fooled By This", the Rocksteady vibe of "Borrowed Time", or the Peter Gunn-ey à la Henry Mancini bass riff of "Victory In Monterey", it's clear Albert and his supporting cast aren't a bunch of one trick ponies.  That being said, the best moments are those that strike me as being the most, if this makes sense, uniquely Albert.  Tracks like the stellar first single "GfC" or "Miss Myrtle" don't feel like they would fit anywhere but on one of his records.  These tracks harness the energy and dedication with which Albert has approached his first two solo albums and at the same time do the most to showcase who he is as a budding songwriter.

With that, I think it's safe to say that after listening to ¿Cómo Te Llama? Albert has undeniably avoided the feared "sophomore slump".  In fact, I'd say he's made quite a leap forward.

• Albert Hammond, Jr. - "GfC" from ¿Cómo Te Llama?

Favorite New Release of the Week - Jun. 17th, 2008

The Impossible Shapes - The Impossible Shapes [Sigil]

I just picked up my copy of the new Impossible Shapes so I haven't had a chance to write a formal review yet but I can say after a couple of brief listens, the album is another great addition to the band's catalog.  While it's hard for me to put my finger on the exact sound of the Shapes the words "pop-tinged psychedelia" always comes to mind.  If you're a fan of the band or spend even a brief amount of time listening to their records I think you'll agree.  You can hear the first track off the record below to get a sense of what I'm talking about.

As for getting a glimpse into what kind of mindset the band was in while working on this record, look no further than the formal title.  This album finds the band getting their Zoso on with the use of their own special symbol as the title.  The symbol in question is called a sigil and is used for specific magical purposes.

In support of this release the band will be touring all over the United States and will also be releasing a limited edition Cassette Box Set Compendium.  The box set features six hour long tapes of all of the band's released material along with some unreleased material spanning 1998 – 2007.  Make sure to keep an eye out for this before it sells out.  Also, make sure to check out the various other Bloomington based bands members of The Impossible Shapes are involved with which include The Coke Dares, Normanoak, The Horns of Happiness, Magnolia Electric Company, Uno Moss and Wee Giant to name more than a few!!!  The members are bursting with creativity and you'd be well-served to explore all of their various creative outlets.

• The Impossible Shapes - "Hey!" from The Impossible Shapes [Sigil]

New NIN Album Available Now For Free!

Radiohead left it up to you but Trent has decided for you.  You will take the album for free and you will like it.  Yes, that's right!  At some point this morning Trent Reznor took his experimentation with releases to a new level and decided to give away his new album The Slip away for absolutely nothing.  The note from NIN is as follows:

as a thank you to our fans for your continued support, we are giving away the new nine inch nails album one hundred percent free, exclusively via nin.com.

the music is available in a variety of formats including high-quality MP3, FLAC or M4A lossless at CD quality and even higher-than-CD quality 24/96 WAVE.  your link will include all options - all free. all downloads include a PDF with artwork and credits.

for those of you interested in physical products, fear not. we plan to make a version of this release available on CD and vinyl in july. details coming soon.

So what are you waiting for?  Pick up your free swag here.

Favorite New Release of the Week - Apr. 8th, 2008

Man Man - Rabbit Habits

It's safe to say this album has definitely been one of the most highly anticipated for me this year.  At some point during the wait I was watching Serpico and realized Ryan (a.k.a. Honus Honus) has quite the Serpico-era Al Pacino vibe going on.  He could definitely pull it off at Halloween with a nice fake beard if he chose to.  What that has to do with this review I have no idea but I still thought it was worth mentioning.  If anything, I don't think you can go wrong with Al Pacino or Man Man and this record proves the Man Man part of that equation.

Ryan stated in an interview with Pitchfork that despite the band's previous beliefs about Six Demon Bag, Rabbit Habits is actually the band's pop record.  There are plenty of great, traditional Man Man moments here but what struck me were the softer, sentimental and, as Ryan put it, more pop moments on the record.  One of the best moments like this on Six Demon Bag would have to be the oft-quoted line in "Van Helsing Boombox" of, " I want to sleep for weeks/like a dog at her feet."  A similar expression can be found during "Doo Right" with, "I wanna hold you/'til the Mountains turn into sand."  Have no fear though, what makes this record so great and shows the breadth of Man Man's talent is showcased on the sequence of tracks starting with the aforementioned "Doo Right" and ending with the title track, "Rabbit Habbits." 

Just when you thought the band's gone soft on "Doo Right," they hit you with a Man Man-lian take on what most of us have experienced in regards to an indecisive significant other.  The lyrical warning during "Easy Eats Or Dirty Doctor Galapagos" of, "You get the girl/you lose the girl/the girl wants back/but you've already moved on/you take her in/she changes her mind/you lose the girl/and you've lost out twice,"  would have served me well when I was a teenager.  This track is followed up with the insane surf-rock number "Harpoon Fever (Queequeg’s Playhouse)" with its discussion of volcanoes and Dick Dale guitar licks and then quickly followed by the spacey feel of "El Azteca" and its spooky vocals.  All of these tracks are perfectly bookended by the title track "Rabbit Habits" and a return to the softer, more intimate side of Man Man.  In "Rabbit Habits" we're presented with the two wayward souls and their desire to not spend their days alone.  Despite the down-and-dirty, raucous nature of Man Man on record and in concert this might be, dare I say it, a very tender song.  I would say, "who would've thunk it," but I think anyone who has really listened to Man Man's records, seen them live, or had the privilege to chat with the members of the band would agree they knew the guys had it in them.  Lucky for us they're exploring these areas and showing off what they're coming up with.

• Man Man - "Hurly/Burly" from Rabbit Habits
• Man Man - "Top Drawer" from Rabbit Habits

Favorite New Release of the Week - Mar. 18th, 2008

Adam Green - Sixes & Sevens

This album is full of Adam Green's most mature attempts at songwriting to date.  In the past I think some people were unsure if they were supposed to laugh at Adam's songs or take them seriously.  Maybe it was both.  Regardless, while there are a number of tongue-in-cheek moments here, it's hard to not take this round of songs very seriously.  That's because the majority of tracks on Sixes & Sevens are extremely lush, filled at one point or another with just about every instrument and style conceivable.

One of the first tracks that really stood out to me was the pan flute-infused "You Get So Lucky".  This track shows what a great voice Adam has.  He certainly possesses a chameleon-like quality at times with a healthy bit of Leonard Cohen showing up here.  Another track that stands out is the country-ish duet "Drowning Head First" that finds a charming back-and-forth between Green and girlfriend Loribeth Capella.  I also enjoy the western-campfire vibe of "Bed of Prayer".  The previous mentions of country and/or western influence is prevalent on this record, a clear acknowledgment by Mr. Green of his love for all things Nashville.

Regardless of your personal tastes in music I think you'll be able to find something you like on this record.  Finally, I think old fans will be happy with the progression on the album and all of Adam's new fans, ala Juno, will also be excited by what they hear.

• Adam Green - "Morning After Midnight" from Sixes & Sevens
• Adam Green - "Getting Led" from Sixes & Sevens

Favorite New Release of the Week - Feb. 26th, 2008

Mezzanine Owls - Mezzanine Owls

If you're a fan of the post-punk genre and eventual shoegazers that followed you'll love this record.  The band exhibits just the right amount of the Jesus and Mary Chain, Doves, and Mercury Rev without having to worry about sounding like some cheap imitation.

Personally, the record has been a fitting play around my place with its various discussion of snow drifts and snow globes.  The ground around here has been blanketed for some time now and it's beginning to feel like we're living in the aforementioned snow globe.

Regardless of my reasons for liking this record, I'm sure you'll find plenty too.  That's because it's a solid rock record from top to bottom.  As I said above, the Owls are one of those bands that remind you of other bands you love but who also bring something completely unique to the table.  You can pick up the digital EP on iTUNES, AMAZON (MP3s), MTracks, Rhapsody and probably ever other digital music retailer.  Here is "Snow Globe" for your listening pleasure.

• Mezzanine Owls - "Snow Globe" from Mezzanine Owls

Favorite New Release of the Week - Jan. 29th, 2008

Vampire Weekend - Vampire Weekend

I've somehow managed to steer clear of all the buzz surrounding Vampire Weekend until now.  With the release of their debut album hitting stores this week, I decided I should probably see what all the fuss is about.  While I was initially skeptical, this record is chock-full of great moments.  You'll wonder where the 30 or so minutes it takes to listen to record all the way through as you're reminded of a little Paul Simon here, some Police or Peter Gabriel there, and a touch of the Strokes or Walkmen peppered throughout the band's brand of Afro-pop.  "Oxford Comma" is one of those songs I wish I could write.  It's ridiculously infectious.  The same can be said for "Walcott" and it's driving piano.  The more subdued tracks on the record are just as addictive.  I've found myself listening to "I Stand Corrected" and "The Kids Don't Stand A Chance" over and over.

The one problem the band is sure to face, is many people will say this is indie-pop for the Sperry wearing, cardigan covered hipster (dare I say trustfunder) out there.  I don't mean that in a bad way, it's just the impression I get.  It's hard not to get that feeling after reading all the discussions about their backgrounds, style, etc... and the mention of butlers, bleeding madras, and Cape Cod in their lyrics.  Whether the members of Vampire Weekend are really going for this means nothing to me.  I could care less about the socioeconomic elements of their lives.  This line of discussion in the press reminds me a lot of what was discussed ad nauseam when the Strokes burst onto the scene.  Now, just as then, I don't think it has any bearing on the fact that the music is in this case, as it was with the Strokes, is well worth listening to.  I don't think the members of either band have ever claimed in interviews or in their songs as having lived rough-and-tumble, down-and-out lives to this point.  They aren't pretending to be something they aren't.  I think that's something the haters tend to forget.  The other thing the haters tend to ignore is how enjoyable the music can be which isn't really a big deal, they're the ones missing out.

Anyway, enough of talking about anything other than the music.  Here is a track off the record for your listening enjoyment.

• Vampire Weekend - "Cape Cod Kwassa Kwassa" from Vampire Weekend

Favorite New Release(s) of the Week - Oct. 9th, 2007

Radiohead - In Rainbows

Much has been said about Radiohead and the way in which they've released this album.  Now it's time to finally see what's at the heart of all this discussion, the actual record.  This album is all about escape and/or freedom.  Freedom from the daily worries of war, terrorism, the environment, or whatever else might be bothering you.  It also represents the attempts of a band to free themselves from the constraints put on them by a lumbering, out-of-touch record industry.  The same band is also giving a voice to millions of fans who want to escape from being told how the world they're living in should operate.

The goal of escaping these everyday doldrums by approaching things from a fresh angle is at the center of Radiohead's plans.  The move should serve as notice to the establishment that their days are numbered.  Part of me thinks that Radiohead has shifted away from the more abrasive approach (i.e.  like calling an album Hail To The Thief) to a more subtle, calculated, and what some might call a more intuitive one.  If those in power won't listen, why not change the game thereby removing the old guard and creating a more progressive arena to let things play out in?  That's exactly what Radiohead is advocating.  It's clear the systems currently in place aren't working.  It's rather obvious that things, in fact, are crumbling around the proverbial "man" despite his best efforts to hide this fact.  The various governments, corporations, and individuals that Radiohead are railing against are fighting tooth and nail to protect their empires but thanks to the innovative thoughts of bands like Radiohead, it's a fight they're destined to lose.

As far as the actual music, the songs are extremely vibrant.  It sounds like Radiohead was invigorated by the plans they cooked up for this album.  "15 Steps" is a perfect album opener.  It preps your ears for what's coming and showcases all of what Radiohead has been up to in just under 4 minutes.  One of my favorite moments on the album occurs during this song when you first hear a group of children cheer at about the 2:13 mark.  Another great aspect of this song, and several others on the album, is the inclusion of guitar sounds remnant of the OK Computer era.  The album is a great example of a band satisfying their appetite for experimentation while reaching back and incorporating some of their greatest assets from previous works.  They've certainly come full circle on this record armed with the knowledge of where they've been.  Aside from the guitars, the orchestration on this album is, as to be expected, brilliant.  The songs on In Rainbows are so dense that it will take forever to figure out everything that is going on.  Fittingly though, one of the simplest songs on the album may be its greatest.  I'm going to go ahead and say I think "Videotape" may be the most beautiful Radiohead song ever written.   It could be one of the most beautiful songs ever written by anyone for that matter.

Normally, I would post an mp3 or two from the album but right now I'd encourage you to download the album from Radiohead (even if you don't pay anthing) and hear how great this album is, in its entirety, as Radiohead prefers.  You can, however, watch the video below of Thom performing "Videotape" solo while you're waiting for your download to finish.

Favorite New Release(s) of the Week - Sept. 11, 2007

Animal Collective - Strawberry Jam

I wasn't sure Animal Collective could top themselves after they put out Feels and I didn't think they would get any more accessible either.  That was, until I heard Strawberry Jam.  It's amazing what a little verse-chorus-verse will do as far as accessibility goes.   I mean, why not?  We already know that  the boys in Animal Collective can do everything else.

The constant percussive sounds similar to a locomotive underpin the exceptional "Fireworks".  The track is another song, as many on Strawberry Jam are, which bring Avey Tare's vocals sharply into focus.  It's great to hear Avey Tare's voice so far out in front throughout the album.  Back to the topic of focus, this album has it in spades.  Where it's safe to say many of the band's previous songs meandered gracefully in a world of experimentation, the majority of songs on Jam play out like very concise, calculated stories.

"Cuckoo Cuckoo" seems to resemble something similar to the album cover.  You aren't quite sure what it is even though you think you have a pretty good idea.  The psychedelic lullaby, or love song, or maybe just straight up freakout could quite possibly be my favorite track on the record.  Finally, just as Person Pitch made painly obvious, album closer "Derek" proves beyond a doubt that Panda Bear is probably as close to our generation having a Brian Wilson as we're going to get.  Regardless of what you take away from this record, you won't love Animal Collective any less if you're already a fan and if you weren't, you'll finally see what all the fuss is about.

Favorite New Release(s) of the Week - Aug. 28, 2007

I've been a little slow to post about Aesop Rock but with this weeks release of his new album None Shall Pass, the time has come.  I guess I'm fairly picky about hip-hop but the stuff coming from Definitive Jux has definitely caught my attention.  I've always seemed to enjoy "underground" hip-hop and I think it's safe to say that no label is putting out a higher quantity of quality material than Definitive Jux.  While label co-founder El-P's putting out some excellent stuff my favorite act on the label is probably Despot after seeing him open for Ratatat.  I count his track "Crap Artists" as one of my favorite hip-hop tracks ever. 

All preferences aside, the argument could be made that Aesop Rock is, hands down, the best MC on the label.  He's definitely the thinking man's rapper who requires his listeners to use quite a bit of brainpower just to keep up.  If there is any question about this consider the fact that, as this Harvard Crimson article pointed out, Boylston Professor of Rhetoric and Oratory (and Pulitzer Prize winner) , Jorie Graham, found Aesop’s lyrics to be so inspiring that she had her poetry classes bring in samples of rap lyrics to analyze.

At this point, I should point out that I'm in no way, nor do I claim to be, an expert on the world of underground hip-hop but I know what I like and Aesop Rock has fallen into that category.  With that being said, I'll let you guys be the judge by checking out the track "Citronella" as well as the debut video for the title track off None Shall Pass below.

• Aesop Rock - "Citronella" from None Shall Pass

Favorite New Release(s) of the Week - Aug. 7th, 2007

Okkervil River - The Stage Names

My love for Okkervil River started with 2002's Don't Fall In Love With Everyone You See.  Most of my love stemmed from the musical content of the record but some definitely came from the realization that I had a bad habit, at the time, of doing exactly what the title warned against.  This was just the first in a long list of moments on Okkervil River records that seemed to be in line with my own, and many other listeners, life experiences.  While I'm sure the exact inspiration for the songs differs considerably from connections made by listeners, Will Sheff has an impeccable ability to convey them in ways that seem eerily familiar despite being expressed via his esoteric prose.

On first listen, I think it will quickly become apparent that this record is considerably more upbeat than the band's previous releases like Black Sheep Boy.  It sounds like some of the broken bones, lives, and hearts that were the topics of Sheff's previous songs might be starting to mend.  "Unless It's Kicks" is a raucous affair that affirms the upbeat feeling of the album and evidences Sheff's most pop-tinged number to date.  "Savannah Smiles" is an elegant song that tells a tale of repercussions felt by a father after accidentally reading a page of his daughter's diary.  Another personal favorite on the album is "Plus Ones".  How can you not love a song that references David Bowie's "TVC15" which is easily one of my favorite (and potentially most under appreciated) Bowie songs ever!?!

Long time fans of Okkervil River will be extremely happy with this record.  It's another brilliant album from the band.  The most promising thing about The Stage Names is, however, the possible effect the album will have on those unfamiliar with Okkervil River.  There is a strong possibility that this is the album that catapults the band over the cusp and into the general public's consciousness and affords them the recognition as one of the most exceptional bands making music today.  Based on their impressive output, Okkervil River deserves it.

• Okkervil River - "Our Life Is Not a Movie or Maybe" from The Stage Names
  

Favorite New Release(s) of the Week - Jul. 10, 2007

Spoon - Ga Ga Ga Ga Ga

Spoon is back with what is becoming standard fare for them, a great record.  Do these guys ever miss?  Apparently not.  Ga Ga Ga Ga Ga is full of the rhythmic shuffling we've all come to know and love.  The album kicks off with "Don't Make Me A Target" which was written during the Gimme Fiction era.  The perfect touch of familiarity before moving into slightly newer territory of "The Ghost Of You Lingers".  The song, and the various effects,  sound as though Britt's vocals were transmitted back to the studio from the bottom of a well on the Moon.  There are several moments on the record that seem to indicate the band got their Radiohead on just a little with this record by using the studio as an extension of the music or its own instrument if you will.

One of the more interesting things about this record is that my favorite track, and quite possibly one of the grooviest Spoon songs ever, isn't even a Spoon song.  "Don't You Evah" was actually written by Max Tepper for his band The Natural History.  Britt and Max were exchanging ideas about the songwriting process and after The Natural History's record the song was intended for never came out, it was decided that Spoon should record it.  The results confirm what Britt thought, the song is great!

Another highpoint in the unbelievably quick 36 minutes of music is "The Underdog".  While evoking a little Van Morrison you'll want to sing along with lyrics like, "Cause you don't talk to the water boy/and there's so much you could learn but you don't want to know/You will not back up an inch ever/that's why you will not survive!"  The song will be plenty to get any outgunned bar fighter ready or could even serve as the campaign song for the challenger to some out-of-touch incumbent.

All in all, Ga Ga Ga Ga Ga is another excellent addition to the Spoon catalog.  I think the only problem I have with it is the previously mentioned short running time.  The record definitely leaves you wanting more after the final song ends.

Buy Ga Ga Ga Ga Ga at:  iTunes | Amazon | Insound

The Smashing Pumpkins - Zeitgeist

So we have the first album from  the Smashing Pumpkins in 7 years!   As a fan of the band, it's been interesting to read all of the reviews about the new lineup and album.  First and foremost, I find the comments that this is some kind of cash grab to be ignorant and lazy.  The last time I checked, Billy Corgan wasn't paying the mortgage on the Neverland Ranch or taking care of a Mick Jagger-size group of children and their supermodel mothers' needs.  Let's be realistic, as the groups primary songwriter the Smashing Pumpkins have sold more than enough albums for Billy, and everyone else involved, to live whatever lifestyle they're accustom to.  Another thing to remember is, Billy and Co. have donated all revenue from entire tours to charity.  The tickets to their recent residencies, which have been in extremely high demand, were $20.  That hardly seems like the actions of a person motivated by money.  Sorry, just had to put that out there and now that I've said that, let's discuss what's important, the music.

Fans of the Smashing Pumpkins are an extremely fickle group of people.  In fact, I'm not sure any band has a group of fans that are harder to please.  That being said, I think Zeitgeist is a step in the right direction after what many considered to be the misstep of Machina.  I think it's safe to say that a majority of fans, both hardcore and casual, will enjoy this record.  The thing that is most clear after first listening to the record is that Billy Corgan intends to pull no punches here.  This record is heavy!  In my opinion, Corgan cements his status as one of the most underrated guitarists in the game today on the record.  During my time at one of the residency shows in Asheville, NC there were several times during the show that members of the audience would look at each other in disbelief following one of Billy's solos.   Quite simply, he's an absolute beast on the guitar.  While we're on the subject of beasts, Jimmy Chamberlain's fearsome drumming is on full display here.  Looking back at the history of the band, to say it's a blessing that Jimmy has conquered his demons and is still behind the kit doing his thing is a gross understatement.

"Tarantula" currently sits at #2 on the Billboard's Modern Rock Chart and I don't think there's any denying it's a great track.  Even the almighty ones at Pitchfork, high atop their ivory tower, admitted they liked it.   There are several other tracks on the album that stand out as well.  "That's The Way (My Love Is)" finds Corgan at the top of his songwriting game.  All the goth/emo-punk/whateveryoucallthem bands on the airwaves today could learn a thing or two about songwriting here.  "Bring The Light" and "Come On (Let's Go)" provide an excellent one-two punch towards the end of the album.  "Bring the Light" alternates between more hushed moments to very agressive ones.  "Come On (Let's Go)" starts off with a guitar sounding like someone kickstarting a chainsaw and doesn't let up from there.  Both tracks contain epic arena-rock sounds that will be have you playing air guitar in no time.  You'll probably find yourself doing that several times while listening to this record.  Thankfully, while there are political messages peppered throughout the album, they aren't so in your face as to turn off the listener.  If anything, they just seem to be affirmations of what a majority of the public has been feeling in recent times.

This album is a perfect example of what sets the Smashing Pumpkins apart from their peers and imitators.  When they choose to, they rock n' roll on a level all their own.  I'm not saying they're the best band in the world but they're certainly the best at what they do.  No one was able to take the band's place during the 7 years they were gone so the Pumpkins might as well take back their spot on top of the heap.  As I'm sure you can tell, I'm extremely glad that they have.

Buy Zeitgeist at:  iTunes | Amazon | Insound

Favorite New Release of the Week - Jun. 19th, 2007

The White Stripes - Icky Thump

I was only able to give this record a quick once-through before heading into work this morning but it sounds incredible.  I'll try to have a more formal review up later tonight.

Buy Icky Thump at:  iTunes | Amazon | Insound

Favorite New Release of the Week - May 8th, 2007

Of Montreal - Icons, Abstract Thee - EP

I guess I totally missed the memo on this release.  I didn't realize it was coming out until well... today!  What a pleasant surprise!  Considering how wonderful Hissing Fauna was, any additional material from the sessions is much appreciated.

You'll be glad to know this isn't some run-of-the-mill EP full of tracks that don't seem quite good enough to have been included on the previously released album.  Hissing Fauna was originally slated to  be a double-album but after it was decided that wouldn't happen, these tracks were cut.  When you hear the tracks you'll quickly realize that as good as Hissing Fauna is, you now have a few pieces to the puzzle you didn't realize you were missing, but need nonetheless.

Buy Icons, Abstract Thee at: iTunes | Amazon | Insound

Favorite New Release of the Week - Apr. 17th, 2007

Nine Inch Nails - Year Zero

Lately, it seems like there's been an endless amount of press focusing on the potentially bleak outlook our world is facing.  Maybe the press got advanced copies of Year Zero and have aligned themselves with Trent Reznor's vision of the future in this extremely dense concept album.  It tells the story of an Orwellian society where the separation of Church and State no longer exists, a totalitarian government is using society's fear of terrorism to advocate their power, and a drug called Parepin has been added to the water supply to assist with mind control.  While writing this I realized that certain aspects of the story aren't that different from our current reality.  Maybe that explains that odd taste I've noticed in the drinking water.

The concept for the album isn't the only thing that's complex or innovative.  The actual disc itself is covered in a thermo-chrome lacquer.  The mostly black disc will turn white when heated to reveal lines, blocks, the copyright notice, and a string of binary code that translates into a web address where more of the story concerning Year Zero can be uncovered. 

Musically, the material on this album ranks as some of the best in the NIN catalog.  The songs are a manifestation of the anger and frustration that is felt as someone  grows tired of watching their world senselessly collapse around them.  Year Zero is Trent Reznor's way of saying, "I'm as mad as hell and I'm not going to take this anymore."  The lyrics tell the story of life during Year Zero through the eyes of people living it and, as I alluded to earlier, mirror several of today's issues.  "Capital G", probably my favorite track on the record, is a less than flattering narrative from the viewpoint of a member of the totalitarian leader's constituency.  With lyrics like "I pushed a button and elected him to office and a/he pushed a button and it dropped a bomb" and "Well I used to stand for something/now I'm on my hands and knees/traded in my god for this one/he signs his name with a capital G"  it's not too difficult to figure out who inspired the song.

With the ever present comparison of the war in Iraq to Vietnam and the general discontent with the current administration, daily life has been rife with material for artists to pen protest songs.  That being said, Trent Reznor didn't stop with just one song, he's written an entire, blistering album to voice his dissatisfaction with the way things are going.  After listening to Year Zero, you'll be more than ready to get up and join the fight too.

Buy Year Zero at: iTunes | Amazon | Insound

Favorite New Release of the Week - Apr. 10th, 2007

Blonde Redhead - 23

I first fell in love with Blonde Redhead after a friend played "In Particular" at a house party in Los Angeles.  I immediately bought Melody of Certain Damaged Lemons and while I listened to the album in its entirety several times, I absolutely wore the second track [In Particular] out.  From the first listen, it was clear 23 would be an entirely different experience from Melody or even its follow-up, Mystery Is a Butterfly. 

It's practically impossible to dissect this record into pieces and talk about this song or that.  23 requires a certain devotion of time and attention. This album is one that, when taken as a whole, seems like it absolutely must serve as the soundtrack to a film, countless long drives, or maybe even a dream you've had.   The lyrics from "SW" actually lend themselves to the idea of a dream with, "I am I am running in my head/I am I am lying on my left/I am I am growing in my bed/I am I am..."

While it's hard to separate out specific songs, there are a few I have to point out.  "SW" and "Spring and By Summer Fall" fall back-to-back on the record and serve as two of the more brooding and aggressive tracks on the record.  The more aggressive feel may stem from the vocals of Amedeo Pace, especially when juxtaposed with the gently haunting vocals of Kazu Makino.  "Publisher" is another standout track that I've found myself anticipating on subsequent listens.

From the sound of 23 it doesn't appear that my love affair with Blonde Redhead will end anytime soon.  I think it's safe to say that if you're like me, yours won't either.

Blonde Redhead - "23" from 23

Buy 23 at: iTunes | Amazon | Insound

 

Favorite New Release of the Week - Apr. 3rd, 2007

Kings of Leon - Because of the Times

The Kings of Leon recently spent some time touring Australia with Pearl Jam last November.  After listening to Because of the Times I think the elder statesmen of Seattle grunge may have rubbed off on the young Kings.  Throughout the record I hear a lot of the sounds that were coming out of Seattle in Pearl Jam's heyday. 

Caleb Followill gets busy channeling the spirit of Kurt Cobain on "Charmer" with a steady stream of shrill screams.  Another tribute to the vocal stylings of one other late star of the grunge scene, Layne Staley of Alice in Chains, seems to be present on "Trunk."  The band doesn't just stick to the Seattle sound.  Is it just me or is there a great example of Aerosmith and Steven Tyler's influence on the band on the fifth track, "Black Thumbnail?"  Aside from paying homage to these potential influences, the band does a great job of expanding and branching out from the sound heard on Aha Shake Heartbreak.  There is plenty of experimenting going on to keep things interesting while staying true to what's gotten the band to this point in their careers, a modern take on classic southern rock.

The syncopated jive of "Ragoo" is a perfect example of what differentiates the band from most of their peers.  You know you've heard a lot of what's happening before but they do it in a wholly original and glorious way.  One of my favorite tracks off Aha Shake Heartbreak was "Four Kicks" and I think it's safe to suggest "My Party" is it's rowdier, younger brother.  I can see the pseudo-mosh pits starting now at Kings of Leon shows all over the world.  The song, much like the album, is a relentless loud-quiet-loud throwdown.  Pure and simple, this is an excellent rock record that's perfect for these times, or any other time for that matter.

Buy Because of the Times at: iTunes | Amazon

Favorite New Release of the Week - Mar. 20th, 2007

Panda Bear - Person Pitch

Person Pitch reminds me, and probably a lot of other people, of Pet Sounds.  Not necessarily for how the songs sound but more for the inventive spirit that each album showcases.  The same odd sunshine that Brian Wilson was able to capture and put on anything he wanted while helming the Beach Boys is front and center on this record as well.

The word ethereal comes to mind when trying to describe the melodies found all over this record.   There is also a constant feeling of celebration on the record.  Panda Bear has recently found himself in the midst of a new found role as a family man in his new home in Lisbon, Portugal.  It certainly sounds like a very exciting time in his life.  The love he has found as a husband and father comes shining through in the music.

It also feels like there is a lot of patience on this record.  Patience to make sure things were done correctly and everything is in its right place.  The 12 minute "Bros" is a perfect example of this.  Panda Bear is in no hurry to get anywhere until things are just right.  You will have to set aside lots of time to give this record the time that it deserves.

• Panda Bear - "Comfy In Nautica" from Person Pitch

Buy Person Pitch at: iTunes | Amazon | Insound

Favorite New Release of the Week - Mar. 6th, 2007

Albert Hammond, Jr. - Yours to Keep

When I heard that Albert Hammond Jr. had offered up the songs found on Yours to Keep to his bandmates in The Strokes during the recording of First Impressions of Earth, I was surprised to find they weren’t more accepting.  This was especially true considering Albert co-wrote one of the best tracks on Room on Fire, “Automatic Stop”.  My surprise was prior to actually hearing the songs so I chose to wait before placing judgment.  Now that I’ve heard the tracks, I’m extremely surprised they weren’t more interested in using some of the songs.

From the very beginning, Albert sets us all up for the kill with the dreamy SoCal sounds of “Cartoon Music for Superheroes”.  Just as the song gently lulls you to sleep, he wakes you up and tells you to get moving with “In Transit”.  That’s exactly how you’ll feel when “In Transit” gets going.  Just as the name suggests, you’ll find yourself with the urge to put the proverbial pedal to the metal.

The album is a breath of fresh air and certainly one of the most enjoyable records I’ve listened to in a long time.  It’s clear that Albert’s creativity hasn’t floundered in his support role with the Strokes.  Instead, it appears that he’s been quietly crafting his own exceptional brand of music. 

I immediately fell in love with the ukulele infused, Beatles-esque “Call An Ambulance”.  I’m also very fond of “Scared” which features fellow Stroke, Julian Casablancas, on bass and backing vocals.  There are several other guest appearances on the record like Sean Lennon’s backing duties on “Back to the 101”.  The subdued album closer “Hard to Live In The City” describe Albert’s search for an unknown beauty in the city.  The more somber mood of the song almost brings the party to a close but then the multi-instrumental freak out at the end reminds you to keep that smile on your face.  The US version of the album also includes covers of Buddy Holly's, "Well... All Right" as well as Guided By Voices', "Postal Blowfish".  These extras are nice bonuses to a debut I didn't think could get any better.

All I can say is that regardless of how any future songs are received by his bandmates in the Strokes, Yours to Keep is a clear indication that Albert has a very bright solo career ahead of him should he choose to pursue it.  Here’s to hoping that he does.

• Albert Hammond, Jr. - "In Transit" from Yours to Keep

Buy Yours to Keep at: iTunes | Amazon | Insound

Favorite New Release of the Week - Feb. 27th, 2007

Money Mark - Brand New By Tomorrow

Brand New By Tomorrow will remind you of Beck's Sea Change in a lot of ways.  Both albums are written by men who can masterfully bring the funk, or any other genre for that matter.  With this album however, and just like on Sea Change, we find the author showing a softer, more vulnerable side.  Both albums stemmed from the painful disintegration of a relationship.  Due to this, each album gives us a view into the heart and mind of the artist as they navigate the break-up and its aftermath.  The familiarity of the subject matter to all of us is a reason why both albums connect so well with the listener.

There's definitely a fair share of heartache on this album, there are also plenty of triumphant moments.  The triumph I'm talking about is the kind a person feels when they realize they're far better off without the source of their heartache.  "Radiate Nothing" sums this feeling up perfectly as Money Mark proclaims, "One of these days/I'm gonna find me someone to shine with/'Cause you radiate nothing".

Finally, while I'm sure the events that inspired this album were tough for Money Mark, the resulting album indicates he's gonna be just fine.  You, as the listener, will certainly be better off for having this collection of songs as well.

• Money Mark - "Pick Up the Pieces" from Brand New By Tomorrow
• Money Mark - "Everyday I Die a Little" from Brand New By Tomorrow

Buy Brand New By Tomorrow at: iTunes | Amazon

Favorite New Release(s) of the Week - Feb. 20th, 2007

Dr. Dog - We All Belong

Whether it's paying homage to the Beach Boys' "Sloop John B" on "Worst Trip", reminding me to watch The Last Waltz more often with "Alaska", or evoking John Lennon on "The Girl" Dr. Dog show that, while they may have their influences, they're experts in applying them to their own inventive brand of rock music.  While I'm sure comparisons to the above influences may become tiresome to the band, I'm making them with the highest level of praise in mind.

The band has expanded its psychedelic sound and polished it into a priceless gem of a record this time out.  This is partly due to leaving their basement and 8-track behind for a 24-track and an actual studio.  The other reason behind this expansion is surely due to their constant touring, hard work, and subsequent honing of their craft.

As far as some of my favorite tracks go, I didn't think the sing-song confession of "My Old Ways" could get any better until I saw the video.  The video is a perfect expression of what's so charming about this band.  Finally, I don't know when I'll be able to stop listening to "The Girl" on repeat.  The gritty guitars, distortion and piano in the verse juxtaposed with the waterfall of harmonies and harpsichord (I think it's a harpsichord) in the chorus make this my favorite moment on the album and certainly reason enough to make We All Belong a strong contender for one of my top albums of 2007 regardless of what follows.

• Dr. Dog - "Ain't It Strange" from We All Belong

Buy We All Belong at: iTunes [2/20] | Amazon [2/27] | Insound [2/27]

Richard Swift - Dressed Up For The Letdown

There are several moments on Dressed Up For The Letdown that address the ridiculously sad state of today's music industry.  While it's unfortunate that an artist like Richard Swift isn't absolutely huge right now, at least he hasn't bowed to pressure and compromised his art like many of his counterparts.

We first hear signs of his determination to stay true to himself on "The Songs of National Freedom" when he sings, "I made my way into the spotlight/Just to realize it's not what I want".  We're also presented with several valid reasons for avoiding the spotlight, or to be involved in the music business on "their" terms, on "Artist & Repertoire".  What sounds like a scathing response to moments from a painful conversation between the artist and some pompous record exec begins with, "Sorry Mr. Swift but there’s no radio/That likes to play the songs of your lover's sorrow/Just sing us a jingle/And we’ll float you some bread/And all it will cost you/Is your heart and your head".

Despite what I'm sure countless of capable artists like Richard Swift have heard from various industry heads, there are plenty of reasons on this record that show why these "experts" are so wrong.  "The Songs of National Freedom" is a bouncing number that heralds a sound from some glorious bygone days of music.  "Buildings In America" is the perfect acoustic lullaby to every girl you've ever loved but just wanted a little honesty from, regardless of how improbable getting it actually was.

Despite Richard proclaiming he's dressed up for the letdown, it sounds like a situation of being all dressed up with nowhere to go.  That's because there is clearly no letdown in sight for Mr. Swift and his brand of music.

• Richard Swift - "Kisses for the Misses" from Dressed Up For The Letdown

Buy Dressed Up For The Letdown at: iTunes | Amazon | Insound

Favorite New Release of the Week - Feb. 13th, 2007

Times New Viking - The Paisley Reich

I haven't had a chance to sit down and give this album the attention it deserves to write a full review yet.  I can say all the wreckless abandon that was so attractive to me on Dig Yourself is on full display here.  There's certainly no sign of a letdown from this Columbus trio, that's for sure.

Until I can come up with a more thorough review I'll just say I don't think you can go wrong by picking up this album.

• Times New Viking - "Teenage Lust!" from The Paisley Reich
• Times New Viking - "Love Your Daughters" from The Paisley Reich

Buy The Paisley Reich at: iTunes | Amazon | Insound

Addendum: Favorite New Release of the Week - Feb. 6th, 2007

Peter Bjorn & John - Writer's Block

I can't believe I forgot about the US release of this record last week.  Thank God for addendums right?  Anyway, enough about my fleeting memory and on to the music.

The Scandinavian brand of Europop Peter Bjorn & John are slinging on this album has been, and continues to be, extremely infectious.  The song "Young Folks", which you may or may not have heard on Grey's Anatomy depending on your commitment to being one of the sheep herded masses, is a perfect example of the catchy moments found on the record.  After you spend a few days trying to get the whistling from the song out of your head you'll know what I mean.  The video for the song, found below, was also one of my favorites from last year.

The album is full of these catchy moments.  If I was a hip-hop producer I would be sampling the beat from "Amsterdam" like it was nobody's business.  If you just happen to be a hip-hop producer and are reading this right now, just put me in the "thank you" section of the liner notes and everything will be great.  "Let's Call It Off" is another track I find myself coming back to time and time again.  I can't seem to get enough of the song.  I've grown tired of having to reach over and repeat the song while driving.  Someone needs to invent a repeat button for cars because of songs like this.

The breezy moments of "Paris 2004"  make you wish you could find yourself at the center of the situation playing out in the song.  It should certainly be a staple on all new, young lovers' playlists.  During one of the more grandiose moments on the album, the band takes a page  from The Walkmen's playbook with the soothing tremolo on "Roll The Credits".  The song would certainly be perfect to use while doing as the title suggests or as the last song you hear while drifting off to sleep.

It doesn't sound like the members of Peter Bjorn & John actually had any problems with writer's block while making this record.  That being said, I'd love to hear what they would come up with once they got over such an ailment.

Buy Writer's Block at: iTunes | Amazon | Insound

Favorite New Release(s) of the Week - Jan. 30th, 2007

Clap Your Hands Say Yeah - Some Loud Thunder

OK, so if you haven't already heard, the opening track off Some Loud Thunder may or may not be your cup of tea.  It might not even be listenable to some of you but at least it has some cowbell!  What I'm trying to say is don't let the first track slow you down.  The album, while maybe a little overzealous at times in regards to production or the experimental feel of some of the tracks, is a solid second effort.  The band could have easily rested on their laurels and probably been loved just the same all over again but instead they decided to challenge everyone a little.  They're certainly sticking with the theme of doing things on their own terms.

"Arm and Hammer" sounds like Destroyer doing a cover of some obscure Captain Beefheart track.  When the drums and guitars really get going on "Emily Jean Stock" they remind me of The Flaming Lips, Transmissions From The Satellite Heart which I still find myself listening to on a fairly regular basis.  All of these points are very good things if you ask me.

If the more progressive tracks are a little much for you starting out, have no fear, there are plenty of "accessible" tracks on the record for you to enjoy.  The song "Satan Said Dance" is worth the price of the album, and admission to one of their live shows, by itself.  If you hear the song and don't want to start dancing you might be just a little too pretentious for your own hipster good.  Throw in "Love Song No. 7" and "Underwater (You and Me)" and you'll quickly remember why you loved CYHSY a year or so ago.  Or at least, you'll hear why you should have loved them if you didn't.

• Clap Your Hands Say Yeah - "Love Song No. 7" from Some Loud Thunder
• Clap Your Hands Say Yeah - "Underwater (You and Me)" from Some Loud Thunder

Buy Some Loud Thunder at: iTunes | Amazon | Insound

Beirut - Lon Gisland - EP

I was lucky enough to catch Beirut's show at the Southgate House a few months ago which turned out to be one of my favorite shows of '06.  During the show the band played a few new tracks, one of which was "Elephant Gun".  After hearing it again here, I immediately remembered how incredible this band is both on record and in person.

Another gem on the EP, and a product of Zach being backed by the full band this time around, is the alternate take on "Scenic World".  This song was easily one of my favorites off last year's Gulag Orkestar and this version is even better than its predecessor. 

None of the other new tracks on this EP will disappoint either.  This EP should give all the fans a lot to look forward to as they wait for the next release from Zach and friends.

• Beirut - "Elephant Gun" from Lon Gisland - EP

Buy Lon Gisland - EP at: iTunes | Amazon | Insound

Favorite New Releases of the Week - Jan. 23rd, 2007

Menomena - Friend and Foe

I spent a lot of time with Menomena's first release I Am the Fun Blame Monster! and I'm still surprised that no matter how many times I listen to the album, I hear something new each time.  After just a few listens of Friend and Foe it's clear this album is going to provide the same opportunities for discovery.  The album feels like a much more polished, and even more complex, version of I Am the Fun Blame Monster!.  The record also reminds me of the innovative sounds we've come to expect from TV on the Radio or Radiohead.

This also might be one record that goes against the idea of not judging a book by its cover.  The intricate illustrations found on the cover, done by Craig Thompson of "Blankets" fame, give you an excellent idea of the artistic expressions found on the record.  You can preview the entire album, including all the artwork I talked about, via this nifty e-card courtesy of Barsuk.  I'm particularly fond of the song "Wet and Rusting" found below:

• Menomena - "Wet And Rusting" from Friend and Foe

Buy Friend and Foe at: iTunes | Amazon | Insound

David Vandervelde - The Moonstation House Band

OK, everyone who has reviewed David's record so far has talked about Marc Bolan, Supergrass, or a few others.  There's no denying that those influences are there but is the album any good?  My answer is most definitely!

Secretly Canadian records are just a stone's throw away from where I grew up and where I'm currently living.  The proximity keeps me pretty up-to-date on what's going on there and basically, there's always a lot of good stuff going on at Secretly Canadian.  The signing of David Vandervelde is no different.

"Nothin' No" could quite possibly be one of the most perfect songs I've ever heard.  I don't know what it is about it but I can't stop listening to it.  It's one of those songs that you just have to turn up and sing along to.  "Wisdom from a Tree" is another highlight from Mr. Vandervelde's first outing.  My only complaint is that at 8 tracks, the album leaves you wanting a whole lot more!  That being said, it just means you'll have to play it again... and again.  Stream the whole thing here or check out the track "Jacket" below:

• David Vandervelde - "Jacket" from The Moonstation House Band

Buy The Moonstation House Band at: iTunes | Amazon | Insound

Of Montreal - Hissing Fauna, Are You The Destroyer?

Of Montreal remind me of The Flaming Lips in a lot of ways.  They have a sizable backlog of amazing material but only after toiling for several years have they really entered into the consciousness of people other than just your average hipster [attn: Outback Steakhouse patrons].  They're also a band that truly does it's own thing.  They don't conform to anyone's expectations.  Each album is a new adventure that takes the listener in a completely different direction than it's predecessor. The electronic darkness found on Hissing Fauna, Are You The Destroyer? is no different.  Add to all of this their amazing live shows and I think you know what I mean by the Flaming Lips comparison. 

You can stream the entire album here or just check out a couple of songs below.  The band is also known for some incredible covers and, as an added bonus, their version of "Moonage Daydream" found below is just that, incredible!

• Of Montreal - "Heimdalsgate Like A Promethean Curse" from Hissing Fauna, Are You The Destroyer?
• Of Montreal - "Gronlandic Edit" from Hissing Fauna, Are You The Destroyer?
• Of Montreal - "Moonage Daydream" from San Antonio 01/21/07 (via YANP via Funeral Pudding)

Buy Hissing Fauna, Are You The Destroyer? at: iTunes | Amazon | Insound

Favorite New Release of the Week - Nov. 21st, 2006

Swan Lake - Beast Moans

From the very start of Swan Lake's Beast Moans you can hear three of indie music's most unique artists coming together to create a perfect storm of musical synergy on "Widow's Walk".  I think it could be said that Dan Bejar, Spencer Krug, and Carey Mercer are all reaching for similar goals in their music but employ very different means of getting there.  This album might be their attempt at building some Rube Goldberg-ian machine to carry them to that point together. 

There are times on the record where you may feel like a certain song belongs more to a specific member and their respective day job but that's to be expected in a situation like this isn't it?  A song like "Nubile Days" could easily have been found on Shut Up I Am Dreaming but it fits perfectly here as well.  On the other hand, "The Partisan But He's Got To Know", sounds like it could have only been created by these three musicians coming together for this project.  Other standout tracks include "The Freedom", the haunting "Petersburg, Liberty Theater, 1914", and the fragile sounds of "Are You Swimming In Her Pools?"

As I previously mentioned all the members of Swan Lake have contributed their share of ideas to acheive an album that, as the liner notes say, is "a testament to frienship, eternal and otherwise."  I for one am glad they're friends and decided to make this album.

- Grant, November 21, 2006