2005 Mercury Prize Winner for Album of the Year
Antony and the Johnsons - I Am a Bird Now
The 1974 photo of Andy Warhol superstar Candy Darling on the cover of Antony and the Johnsons' second full length, I Am a Bird Now, is the perfect complement to the ghostly hymnals that flit and sigh behind its black and white shadows.A melancholy but arrestingly beautiful image, it depicts Darling on her deathbed; bright flowers float behind her upturned arm like a cluster of soft, pale moons radiating light onto the bleached sea of sheets in which she's drowning.
Besides being a tight aesthetic move, the image also links Antony to the early fabulousness of downtown New York, reminding the informed viewer not only of Darling's too-early death from leukemia, but the AIDS-related passing of the photographer himself, Peter Hujar in 1987 (the same year Warhol died, following routine gall bladder surgery). Klaus Nomi was already buried by then, and the Downtown scene was getting too close to saying goodbye to Cookie Mueller, Keith Haring, David Wojnarowicz, and Antony's sometime doppelganger Leigh Bowery (the subject of Boy George's musical Taboo), among others-- all victims of the AIDS virus.
This visual meditation on death and radical history smoothly conjures the family tree upon which pale, angelic Antony perches. The vocalist/pianist moved from California to NYC after seeing the documentary Mondo New York, lured by the 1980s cabaret scene it depicted. Quite fittingly, his first performance came with a musical troupe called Blacklips at the famed Downtown venue, the Pyramid. Jump now to 2003, when Antony opened for Lou Reed and sang the Velvet Underground classic "Candy Says" (yes, for Candy Darling) as an encore after most performances. Knowing all of this-- the very important history in that cover-- helps to understand the melancholy, sense of loss, and rapturous joy in these 10 tracks.
-Brandon Stosuy, February 10, 2005 via Pitchfork