For the final day of MidPoint, I plan on spending my time at the Aronoff 5/3 Theater. I hate to slight any of the other acts playing elsewhere in the city but from top to bottom, I think the Aronoff has the best lineup of the night. Here is a little background on the acts.
The Mocks - 9:00 PM
The Mocks, who hail from Monterrey Mexico, are Ely Mock and The B. Since forming they've been hard at work on their brand of sarcastic electro-pop. Their work hasn't gone unnoticed either. After releasing their debut EP for free they got noticed by Rolling Stone in Mexico. Not too shabby for supposedly recording it in their living room. The only thing I seem to ever get done in my living room is laying on the couch.
You can download their debut EP M is Correct for free here. It's definitely worth downloading, I mean come on... it's free and it's good! How can you go wrong? That's a helluva deal if you ask me.
Wussy - 10:00 PM
Frequent site contributor Professor Ken Katkin turned me onto Cincinnati's own Wussy. With that being said, I should probably quote him when trying to describe the project of ex-Ass Pony Chuck Cleaver. Professor Katkin stated in a show review from earlier this year that Wussy is, "the Queen City's finest band," and described them as, "part-Velvets, part-Vaselines, part-Neil Young, part-Love Child, part-Dead Moon." Trust me, you can take the Professor's word as gospel when it comes to music. If somehow you've been living under a rock and are unfamiliar with Wussy, don't miss them tonight.
Headlights - 11:00 PM
The first band I mentioned have supposedly been recording in their living room, Headlights recorded their most recent album in a Farmhouse. I guess in some ways that means the evening will come full circle right? The members of Headlights are classic popsmiths who are admittedly influenced by '60s pop and the work of Phil Spector (minus that whole murder trial thing I'm sure). I think the most attractive aspect of the Headlights music is the simple perfection you find on so many of their songs. This is especially true in an age when it seems like a majority of bands feel that the more stuff they can cram onto a record, the better. Headlights are currently working on proving that this isn't always the case.