Albert Hammond, Jr. - ¿Cómo Te Llama?
Whether it's his sense of style, the way he wears his guitar or the bands he lists as influences, it's clear that Albert could moonlight as a historian of pop culture. As you may have read elsewhere, this album is built on Albert's affinity for bands like The Kinks, Neil Young and The Clash. Upon completion, ¿Cómo Te Llama? goes a long way towards honoring and, at the same time, putting Albert's own touch on the sounds remiscient of those bands.
What's most striking to me about this record is how it differs from Yours To Keep. Where Yours To Keep seemed to keep a common feeling of breezy SoCal sounds from one song to the next, ¿Cómo Te Llama? showcases Albert and his bands ability to do whatever they want. And do it well. Whether it's the 50s-era rock of the perfectly crafted "You Won't Be Fooled By This", the Rocksteady vibe of "Borrowed Time", or the Peter Gunn-ey à la Henry Mancini bass riff of "Victory In Monterey", it's clear Albert and his supporting cast aren't a bunch of one trick ponies. That being said, the best moments are those that strike me as being the most, if this makes sense, uniquely Albert. Tracks like the stellar first single "GfC" or "Miss Myrtle" don't feel like they would fit anywhere but on one of his records. These tracks harness the energy and dedication with which Albert has approached his first two solo albums and at the same time do the most to showcase who he is as a budding songwriter.
With that, I think it's safe to say that after listening to ¿Cómo Te Llama? Albert has undeniably avoided the feared "sophomore slump". In fact, I'd say he's made quite a leap forward.
- Albert Hammond, Jr. - "GfC" from ¿Cómo Te Llama?