Dr. Dog - We All Belong
Whether it's paying homage to the Beach Boys' "Sloop John B" on "Worst Trip", reminding me to watch The Last Waltz more often with "Alaska", or evoking John Lennon on "The Girl" Dr. Dog show that, while they may have their influences, they're experts in applying them to their own inventive brand of rock music. While I'm sure comparisons to the above influences may become tiresome to the band, I'm making them with the highest level of praise in mind.
The band has expanded its psychedelic sound and polished it into a priceless gem of a record this time out. This is partly due to leaving their basement and 8-track behind for a 24-track and an actual studio. The other reason behind this expansion is surely due to their constant touring, hard work, and subsequent honing of their craft.
As far as some of my favorite tracks go, I didn't think the sing-song confession of "My Old Ways" could get any better until I saw the video. The video is a perfect expression of what's so charming about this band. Finally, I don't know when I'll be able to stop listening to "The Girl" on repeat. The gritty guitars, distortion and piano in the verse juxtaposed with the waterfall of harmonies and harpsichord (I think it's a harpsichord) in the chorus make this my favorite moment on the album and certainly reason enough to make We All Belong a strong contender for one of my top albums of 2007 regardless of what follows.
Buy We All Belong at: iTunes [2/20] | Amazon [2/27] | Insound [2/27]
Richard Swift - Dressed Up For The Letdown
There are several moments on Dressed Up For The Letdown that address the ridiculously sad state of today's music industry. While it's unfortunate that an artist like Richard Swift isn't absolutely huge right now, at least he hasn't bowed to pressure and compromised his art like many of his counterparts.
We first hear signs of his determination to stay true to himself on "The Songs of National Freedom" when he sings, "I made my way into the spotlight/Just to realize it's not what I want". We're also presented with several valid reasons for avoiding the spotlight, or to be involved in the music business on "their" terms, on "Artist & Repertoire". What sounds like a scathing response to moments from a painful conversation between the artist and some pompous record exec begins with, "Sorry Mr. Swift but there’s no radio/That likes to play the songs of your lover's sorrow/Just sing us a jingle/And we’ll float you some bread/And all it will cost you/Is your heart and your head".
Despite what I'm sure countless of capable artists like Richard Swift have heard from various industry heads, there are plenty of reasons on this record that show why these "experts" are so wrong. "The Songs of National Freedom" is a bouncing number that heralds a sound from some glorious bygone days of music. "Buildings In America" is the perfect acoustic lullaby to every girl you've ever loved but just wanted a little honesty from, regardless of how improbable getting it actually was.
Despite Richard proclaiming he's dressed up for the letdown, it sounds like a situation of being all dressed up with nowhere to go. That's because there is clearly no letdown in sight for Mr. Swift and his brand of music.
Buy Dressed Up For The Letdown at: iTunes | Amazon | Insound